B-5
mt.black
mt.black， 在其所處工業區的位置，以勞力階層所佔的作業人口比例作為其集成代號, 從2012年起，在mt.black所進行的「短程計劃」以劉和讓進行的「伍眾會計劃」為始，在2015年的「李承亮個展」則開啓了空間上疊的應用方式。空間本身並非在恆常性裏可預算其未來的計劃方案，藉此讓劉喚起記憶中烏托邦式的空間想像，似乎可以透過一而再, 再而三的裝置與修護，去擬造出令其滿足的空間形象，而這空間則可以抑制這個壓制這種滿足感的市場方位。
mt. black was in a semi-ruin state in 2012, and driven by the ability to self-produce, the space was transformed into a gallery for its inaugural exhibition, with the project kick-started under the theme, Exhausting the Remaining Balance. The experimental project was created by simulating local relationships through self-actualization, with the remaining balance from a public art grant utilized for this production economy. Personal surplus and physical strengths were exerted in the semi-suspended space, with individual public imaginations proposed for the local setting.
B-5
伍眾會計劃，以當地社群網路之名重構五位藝術家的個展發表計劃，目前從B5-1「善用尾款＆城空幻影 / 劉和讓」、 B5-2「我不是車床 / 詹士泰」、B5-3「冷藏摘要 / 秦政德」到B5-4「外擴聲響 / 廖建忠」止， 以「中介物質」的概念去產出與藝術家的協作關係， 這正為劉自身何以藝術家的身份作為社會功能的試驗方法，在韋伯提及“理念(idea)所導引的生活風格(conduct of life) 在歷史進展上的重要性， 社會變遷的動力並非物質因素單獨決定， 而是 「物質」與「觀念」並置”。 劉以可進行的方式去統稱這樣的過程為「物質的力量」，而對「觀念」的想法則為透過物質力量可產生的社會關係。
The name of this project is derived from the name of a local community group, Xizhi B-5 Club that I’ve discovered on Facebook while attempting to “check-in” in the area. The objective is to attempt to use art to propose other ways of describing the concept of “group, masses” with regional associations. The project began by referencing a working class context, seeking to discover the art/labor capabilities that individual artists have inherited from their generational relationships. I believe transformed spaces and inherited relative genes are implied in these skills, and invisible modern systemized social implicit parameters are also suggested by the invisible spatial displacement.
e-R
支線展開, 建立於mt.black本體之外的機會實驗，迎風受雨的露天浸潤, 與日照月映的上疊計劃。
Substance
物質，在中介過程，努力於使不存在的東西存在於我們之間，作為一個不在場的物質形象，其所推翻的正為我們所肯定的認知物件。
Writing & Magazine
寫作，關於mt.black的關係書寫與事件接點。