B-5
B5-1
善用尾款 / 城空幻影 / 劉和讓
Exhausting the Remaining Balance/
SOMANYBUBBLESINTHESKY / Liu Ho Jang
20130914-20131026- / 20141101-20141122
初期空間的治理,完成名為「畫廊」一作。現場之於真實;媒介之於虛構。
在維繫現實的參與裏,我試將燈具製作作為其一選項。在產製過程中,勞作取徑上出現的焦點轉向,標示光所穿越或光所彰顯,在視覺感知上的效能辨識,其所構成皆作幻影。
B5-2
我不是車床 / 詹士泰
I Am Not A Lathe / Chan Shih Tai
20131214-20140228
詹士泰的作品,令人難以看透石材所構成的表相,機械性潤飾完成於我們想像之外。
我試圖將「工具理性」(instrumental reason)去隱喻詹士泰作品帶給觀者的旁騖之喜,其所依賴的測量與機械操作,作為工業化社會裡以效率系統為主導的參照方式。在詹士泰處理物質的空間裡, 其所表現的方式是趨於理性程序, 因為他清楚所透過的機械之物是達成其「材質異化」的當前手段,在機具演進下應用的造型製作技術, 屬於藝術家自身介入機械的有機地帶,在完成前的界限裡, 並蓄在製作者情感與精神的靜默傳輸,這其中的範疇,它區別了在廠區的作業方式,而這正是違背資本系統生產下作為實用的真理。(2015.11劉和讓)
I see Chan Shih-Tai’s work as an effective control that conveys instrumental reason8 through a medley of machines and tools, and also as an expanded control responding to social institutions. The surfaces, shapes, and contours of these sculptures are accurate and precise, appearing like they were made by machines. It is hard to identify human manipulations in them, with imaginations outlined by material alienation that exceed beyond our imaginings. The body is treated as an extended ruler, and machines transformed as the human body, with the sculptures the results of interactions between machines and human behaviors.
B5-3
冷藏摘要 / 秦政德
Refrigerated Abstract / Qin Zheng De
20141206-20150228
秦政德的立碑之於他身性在山林的潛隱,而物件的收藏則養於被遺忘的歷史。
自2005年始,將其書法文體轉拓於條形石體,透過八里觀音山腰墓碑文石刻師傅所雋刻的碑體立於秦氏意志之所在,衍生於島之四方,在創作的自我銘心裡,無疑地顯露其對場域的二次書寫,如同被化開的墨暈, 渲染於他所行進的那條路上。 從秦氏善用的社群媒體所建立的敘事考證,與其說像歷史洪流裡的幻化,不如說他以他的佔領方式推向無私的解放。(2015.11劉和讓)
The monuments Qin Zheng-De errected symbolized his hermithood in the mountains, and his collections embodied the history we have forgotten. Starting 2005, Qin rubbed his calligraphy onto monuments, which were later carved by the tombstone carver on the hillside of Guanyin Mountain; the monuments errected to demonstrate Qin’s spirits spread throughout the four corners of this island. Deep down in his heart, it was no doubt his attempt to renarrate the space, like ink washes spreading along the road he travelled on. According to the narrations and inquiries on the social media, which Qin excels at, rather than a form of metamorphosis amidst the historical tide, his occupation was more like a selfless liberation of history.
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